Monday, June 6, 2016

Ballroom Dance Shoes for the Ladies

So you've decided to learn to ballroom dance- fantastic! Let's talk shoes. What is best for your feet and knees is a good quality pair of dance shoes.


What makes a good pair of dance shoes different from any other type of shoe?


Suede soles, arch support, a properly-placed heel, and a snug fit, color, and style are all key elements of your next pair of ballroom dance shoes.  


Suede Soles - Suede soles are probably the most important distinction between the proper dance shoes and any other shoes. Suede soles are thin, allowing your foot to move comfortably and feel the floor. They also give you the proper level of grip, with enough slip to allow for turning and spinning minus the knee injuries.


flex.jpgcharacter shoes.jpgsneakers.jpg


It is worth noting that suede-soled dance shoes are different from character shoes. As you may see in the center photo, character shoes have a thicker raw leather sole, which is slippery on a dance floor. They don’t flex in the same manner as ballroom dance shoes. Character shoes are not ideal for the ballroom dance floor, although, they would be better for a concrete bar floor or outdoor event.


It is also worth noting that athletic shoes are bad for dancing. Rubber soles are made to grip the ground. When you try to spin, and your shoes are trying to grip the floor, your knees take a lot of rotational stress.


Supportive - Although ballroom dance shoes have a flexible thin suede sole under the ball of your foot, your arches are supported by a less flexible steel or plastic shank. Your feet are further supported by heel placement. Let’s be honest- high heels are precarious anyway, but with the heels placed underneath your heels as opposed to the back of your shoes, your feet and ankles are better supported than if you tried to dance on your favorite Friday night stilettos. As a bonus note: my wife swears by T-straps as extra supportive of her feet.
standard2.jpghigh heels 2.jpg


Snug Fit - When purchasing dance shoes, they should fit snug but not tight. Think about putting on a glove. Extra material can become aggravating, but a well-fitting sleek glove helps to maintain manual dexterity. Use the same concept when fitting your shoes. Don’t fit them comfy and loose like you would any other everyday shoe. In addition to fitting the heel and width of your foot, your toes should come to the end of your shoe (see her left foot).
rhythm example.jpg


Color - Dance shoes come in many many colors and color combinations. Feel free to peruse the internet for your favorite colors. However, you should have a pair of nude, tan, or bronze. Shoes that blend into your skin will go with anything you wear; more important skin-toned shoes extend your leg line, whereas black shoes tend to shorten your leg lines.

Style - Each dance style has an associated dance shoe. For ballroom dancing, we break our dances into two main styles with two main styles of associated shoes:


standard3.jpg
-Smooth/Standard - Waltz, Tango, Foxtrot, Viennese Waltz, and Quickstep. These dances travel around the floor in a counterclockwise circuit. Most dancers opt for closed toe pumps with slightly lower heels to allow for smooth transitions as they roll through the foot. Shoes with closed toe boxes keep toenails protected from cracks in the floor and other shoes.



rhythm.jpg


-Rhythm/Latin - Cha Cha, Rumba, East Coast Swing and Jive, Mambo, Bolero, Paso Doble, Samba, Salsa, Merengue, Bachata. These dance are considered spot dances, which stay in place on the dance floor and use plenty of hip action. Rhythm and Latin dancers place the ball of the foot on the ground and then roll to the full foot. Because of the foot and hip action of the dance styles, dancers often prefer strappy sandals with higher heels to emphasize leg lines.



Your first dance class, take a look at what others are wearing. Touch and feel the difference between a ballroom dance shoe and a character shoe (for example). Ask other dancers which brand, style, etc has been their favorites and why. You'll get some great advice!


Don't worry about getting a pair of dance shoes prior to your first class.


Once you do decide to get a pair of strappy sandals (that's what most ballroom and social dancers start with), make sure they are
-Snug, but not tight.
Your toes go to the front of the shoe, your heels go to the back.
-Supportive of your feet
For example, my wife prefers T-straps
-Comfortably high.
If you like to wear 2” heels, 4” heels are not necessary.
-Skin tone, tan, nude, etc.
Sandals that blend in with your skin, extend your leg line, and go with your legs, which go with everything. Black shoes work when you never want to display your leg lines.


file cleaning brush2.jpgShoe Maintenance - As you dance, your suede soles, which are like carpet when you first get your shoes, become matted and may even gather dust or whatever else you step on. You will want to brush out the dust and refresh the knapp of your suede soles occasionally. The best tool is a shoe brush. I prefer a file cleaning brush from the local hardware store. Be careful when you get a shoe brush from a shoe store, as there is another type of shoe brush with thinner, more pliable bristles. If it feels like a metal toothbrush, it is not the right style. Your shoe brush should have very stiff bristles as shown above.


Now that you know what and why, the next question is where.

The best selections will be online. I use danceshopper.com or the manufacturers websites and go with a European style like SupaDance or Ray Rose as they tend to be better-made than discount brands such as Very Fine.


Expect to pay between $75 and $150 for a good pair of shoes and know that a small investment for good dance shoes will be much better than injured knees and feet.


When ordering, pay close attention to the sizing guide and conversion charts. Your shoes may be American size or English, etc. I measured both feet in centimeters and found that 8.5 is an appropriate fit from SupaDance.


Try your shoes on clean carpet. If you must return them for a different size, they should look unused.


If you want to try on a pair of shoes before you purchase, look for local competitions, conventions, dance camps, or other dance events, as they usually have out of town dance show vendors who can offer good fitting advice as well as an assortment of shoes.


Locally, sometimes ballet, tap, and jazz stores have a small selection of ballroom dance shoes (avoid Capezio as I've had several ladies complain of knee pain which stopped when they changed to a different brand).


Peronne's in Hammond, Humbug’s in Kenner, Ric Seeling’s in Baton Rouge have shoes available to try.


Just to recap: Your first pair of dance shoes should be a pair of strappy sandals made specifically for ballroom dancing, with suede soles, good arch support, snug fit, and skin tone. You should also, get a shoe brush to refresh your suede soles, and never wear your shoes outside of the dance venue.

Friday, April 29, 2016

Effortless following

The most valuable skill of a good follow is sensitivity to a lead. In other words, beyond everything else, you should strive to be the best follow you can be. Any woman can chide a man who isn't dancing the right way, but it takes a real gem to follow even the worst lead.

Posture is Key. A great posture will allow you to move easily in any direction without much of a push. As a close second,  good frame is an invaluable tool in following. Always keep your elbows in front of your body. Four out of five doctors agree that good frame is key.

One of the first things that we learn as dancers is with which foot to start. Dancing is very much like walking: Right, Left, Right, Left... That is the pattern in almost 100% of social dancing. You will almost never place weight on the same foot twice in a row. This principle takes most of the guesswork out of following. That being said, commit to every step. You have fully stepped when you can lift up the other foot without falling.

Close your eyes. We as humans rely too heavily on sight, even when we know our eyes can be very deceptive. Next time you are dancing, try it (within reason). You may be surprised by the results.

Close your ears. As a follow, you want to follow the leader. It's the gentleman's job to follow the music. If he's off time, it's so much better to just go with it. A dance couple is two people dancing as one unit, so when you follow the leader (even if it's not on-time), you not only make yourself look better (people can tell who is following well), you also make the gentleman look better. It's a win-win situation.

Disengage your brain. In other words don't anticipate. Be available to be led. Perfect example: Let's say that you are led into a pattern you have learned and you know. Or so you think. In the middle of the pattern, the gentleman switches up and ends the pattern differently than you learned. Because your mind has been set to run through your pattern, you realize pretty quickly that you are no longer following your partner. *Note: Disengage brain does NOT mean to disengage frame, posture, or technique.

Keys:
*Good Posture is key
*Good Frame is a must
*Always be committed to your step
*Close your eyes
*Close your ears
*Disengage your brain

**Helpful exercise often used to demonstrate a great leading a following principle: Partners grab hands at waist level and shift all their weight so the starting foot is free, and the ladies close their eyes. With everyone keeping their respective frames in place, the gentleman shifts his body forward, backward, or sideways, allowing his left leg to move one of those three directions. The lady, feeling the shift in weight, allows her right foot to catch her from falling (AKA: stepping) forward, backward, or sideways. You really get a feel for how to follow the gentleman by his shift of weight.

Leaders: From Puppet Master to Partner

My "two rules of leading" philosophy:

1) Invite 2) Don't mess her up

  As a beginner dancers, my general understanding of leading was that the guy is in charge, and that it was my job to make the lady do things. That's correct in a sense, as the gentleman is responsible for setting the timing and direction of movement. The lady in turn keeps the timing and direction the guy has initiated.

However, as my understanding grew, I began to realize that I'm not "making" her do anything! I invite her to dance. She accepts (or declines and that's okay). I invite her into dance position. She accepts (into a position that is no closer than she is comfortable dancing and that's okay). I invite her to turn. She accepts (or declines and that's okay).

It's liberating to me as a leader to be able to invite or initiate a dance pattern and have the lady choose to accept and dance her part, as opposed to holding the mindset of making her do something, which implies that I have to do my job AND her job. We're not even getting into the discussion about whether she wanted to or was able to do what I had tried to "make" her do in the first place. 

Once I initiate that dance pattern, then I do my best to let her shine. At the minimum, I don't give her any extra "help" by shoving her into the pattern or yanking on her arm. 

Think of it this way, you are walking or jogging along the street and someone comes up and pushes you from behind. What happens? You fall down! You weren't expecting the extra energy from behind and it happened to be just enough to throw you off balance. Ouch! Think of that scenario when you are leading. Invite- then don't mess her up. 

And remember: when she looks good, you look good.

Rule #1 of Social Dance

Every group class starts with two founding principals: A) The guys are the leaders, and B) Rule #1.

Before I give rule number one, I ask to see who can guess. Most answers include some variation of "guys are in charge" or "have fun" or "be nice" or "have a good frame."

All of those answers are excellent answers; all of those issues are important to understand and follow in order to have a great dance experience, HOWEVER- none of those merit the title RULE NUMBER ONE.

Rule number one has two parts: Part A)fresh breath; Part B)good hygiene.

Most of the people I dance with have impeccable hygiene. Their bodies smell good, or at least not bad. Generally, most people are great about keeping rule #1b. RULE NUMBER ONE, however, can easily be broken without the person even knowing! So, take precautionary measures: brush, floss, and mouthwash. Also, drink lots of water. Not only is water essential to life, it also keeps your mouth clean and hydrated. Bad breath tends to favor dry mouth.

Once you are at the dance, gum and mints are great to have handy.

Some of the best items I've found for those times between brushings are Colgate Wisp mini-brushes.These are single use, little brushes with a breath-freshening bead and a toothpick end. I recommend these when you are on the go. The other item I recommend is Breath Rx Gum. This is found at Walgreens in the dental care section, and can give you a complete assurance that you aren't breathing fire.

Bad breath can keep the best dancers from getting repeat dances. But that's not you ;)

Private lessons top 10

Top ten reasons to take private ballroom dance lessons at Mandeville Ballroom Dance Studio:

1) No Contracts! 

2) Pay as you go

3) Flexible schedule

4) Focus on your personal goals

5) No switching partners

6) No waiting for a group class that suits you.

7) Progress and improve faster than group class.

8) Slow down and fully understand the answers to your questions.

9) Learn a new dance routine for performance or competition.

10) Shine! Group classes can't be all things to all people, but private lessons do a great job of filling in those gaps.

Everyone is different. Different strengths, weaknesses, different features. Dance styles, dance patterns, and embellishments are tailored to the music selection, but also to the individual dancer, designed to help you put your best foot forward.

Ready to take the plunge? Call or text 985-966-0178 to set up a time or click here to book online!


Group class top 8

Top 8 reasons to join group classes at Mandeville Ballroom Dance Studio.


1) Fun - 

Dancing is fun! Good fun is better in good company. 

2) Easy -

 Group classes are good for learning new patterns, with less emphasis on technique and progression. 

3) Inexpensive - 

No doubt, getting together with a group of people brings everyone's cost down to a much more palatable level, especially in the beginning stages of dance training. Think $50 per person per month. 

4) Make new friends -

 No Partner, no problem! We always rotate partners, which encourages a healthy cross-training environment. It also facilitates meeting new people and making friends, regardless of whether you come with your own partner.

5) Accountability - 

You know that once every week, there is a class that you've already paid for and dance friends who will wonder where you are if you didn't make it to class. That provides for some accountability. Additionally, you can get together with others from class to go over class material outside of, before, or after, classes.

6) Learn what dance is all about (Quick Start - Tuesdays 7pm) - ($100 enrollment)


START ANYTIME! RETAKE FOR FREE! DROP-INS OKAY!

This class is a series of 8 lessons covering one dance each week, in the following order:
Waltz, Rumba, Foxtrot, Salsa, Night Club 2 Step, Tango, Cha Cha, Swing
This class is designed to give you an introductory-level understanding of the most popular and useful social dances. Because of the structure of this class, you can start anytime or even try a class for $15. 
Once you have taken all the classes, you can retake the course free of charge to become more comfortable with your basics. This is great for those who want to find out what dance is all about in a group setting.

7) Deepen your understanding. (4 Week - Monday classes)


Want more focus on a single dance style? This class is for you!
NEW SERIES BEGINS EACH MONTH
This beginner class $50 per person (mondays, 7pm) is a series of 4 lessons covering one dance style. progress through four weeks of a single style, so registration is only open the first week of each month. For those who have taken the Beginner series (or even those who haven't), this is the class you've been asking for: Spend one month studying a single style of social dance. Perfect for expanding your social dance repertoire. $50 per person per month. 

8) Take it to the next level (Intermediate)


The intermediate class is currently Tuesdays at 8, and are open to those who have completed the beginner group course or who have achieved comfortable basic skills through private lessons. In the intermediate classes we delve into one dance for 8 weeks. Each class material is based on the material covered in the class prior to that, so intermediate classes are only available as a series. $100


Ready to jump right in and join the fun? Click here to register or email aaron@mandevilleballroom.com to sign up!

Top 10 coolest things to do as a ballroom dancer

As a ballroom dancer, you'll be pleasantly surprised by the number of fantastic new dance opportunities open to you, as well as the vibrant new life that is added to many fun events you already love!

1) DANCE CAMPS

Camp is not just for kiddos! Plan your next vacation in July and travel to Tunica, MS for an intense week of dancing! If you are an avid dance-lover, who enjoys learning fast from great instructors all day and dancing for three parties every night, making new friends and having lots of fun, then All Star Dance Camp needs to be on your calendar.


Just can't get enough dance camp in one week? There are others for you to check out!

Dance Camp Las Vegas http://www.masterycamps.com

Lindy Focus



2) EXCHANGES

The Lindy crowd had a great idea! Invite other dancers from across the nation to a special weekend of local dance scene immersion. Local dancers open their homes to host out-of-town dancers and travel together to special dance socials, classes, and other local events.

 Fleur de Lindy is our local NOLA exchange. Set in April during French Quarter Fest, it's the perfect opportunity to swing out with local and out of town dance enthusiasts!  


Here's a useful website for finding exchanges across the country!


3) CONGRESSES

A congress is another type of weekend (or longer) featuring social dancing, workshops, performances, and even competitions. Generally, congresses tend to focus on Salsa and similar dances.


4) COMPETITIONS





5) MUSIC FESTIVALS

If you live in the New Orleans area, you already hear live music all over the place many times per year! Everyone enjoys a live band, but as a dancer, you can now do more than just sit and listen. Bonus: musicians love when their music makes people want to get up and move. Your energy and enjoyment as you dance to live music will invigorate the musicians.





So many others! That's NOLA for you.

6) CRUISES

Cruises always have at least 3 or 4 bands playing all over the ship, presenting nightly dance opportunities. And although you have to supply your own partner, the upside is that everyone loves to watch dancers. In fact, every time I get up to dance (even a bad dance) multiple people compliment my dance skills!

And that's not even counting the dance cruises! Think dance camp on the ocean. 

7) SHOWCASES

Everybody loves watching a good dance performance. Just look at how many seasons DWTS has been running. Now that you're a dancer, you have the opportunity to bring dancing to many local dancers in a live and personal way by performing in a showcase. It's also a great way to perfect new choreography and technique to shine on any occasion.

8) LOCAL DANCE SCENE


Dance Opportunities are all around, if you know the right people and places. Meet up with some of the other dancers you meet at the studio and find out where they like to go dancing! Make a night of it and hang out with your dance friends at:

-Mandeville Ballroom Dance Studio Parties 

- studio parties are great for practicing your moves in a relaxed low-key environment.  With playlists set for a good mix of dance-able and fun music, there is no better place to come dance without the pressure of wondering whether the person asking for a dance is looking for more than just a dance. You don't even need liquid courage to dance, because everyone is friendly and understands that we are all on  the same progression from beginner to advanced. No partner, no problem!

Saturday Night Ballroom - On the first Saturday of each month in Baton Rouge, there is a huge dance party. Similar to the studio party, but hosted by a group of avid dancers; SNB is always fun and inclusive.

USA Dance - The Gumbo Chapter of this national organisation hosts dances in Metairie on the 3rd Sunday of each month. Also, USA Dance offers many valuable resources on competitions and other dance opportunities.

Club Silhouette
Rock-n-Bowl

Many, Many Jazz venues on Frenchmen street in New Orleans.

9) FLASH MOB

Here is another interesting phenomenon that's been gaining popularity lately. It's basically a surprise public showcase. :)

10) MOVIES

Every so often, movies and TV shows are looking for skilled dancers as featured dancers or extras. It's a pretty good way to get a few extra bucks doing something fun and then you get to say you were a featured dancer in a movie!

You'll probably never see this one.

Astronauts Wives Club episode 10

You may catch a glimpse of me in these..

The power to control the world- Musings of a film buff

"In which finger is the power to control the world?" ~ High Aldwin, "Willow"

As village sorcerer posed the question to each candidate wanting to be his apprentice, a finger would be chosen and put down with a slow shake of the head. Finally, it was Willow's turn. He hesitated and finally chose the final wrong answer.

"No apprentice this year!"

See that scene here


What really struck me as interesting about this interaction is the discussion that follows:

Discussion

In a nutshell, Willow's hesitation was that he should choose his own fingers. That was the correct answer!

I like to think of this story when looking at leading turns. My hand has the power to invite her to go farther away or closer in, to go left or right, quick or slow.

So, if the lady is too close, I'll send my hand out a little bit farther, or if she's too far away, I'll reel it back in for future turns.

Dance is an art- you are working together to create something magnificent.

Sunday, March 27, 2016

How to get the most out of your private lessons

Private lessons tend to be more expensive per session than group classes. The personalized experience makes the price worthwhile, and can even be a better value than group lessons! Here's how to make sure you get the most out of your private lesson time.

1) Have a plan- and talk to your instructor before the lesson so they can also prepare for it. Going into a private lesson focusing on a single dance, style, or element will give you the quickest start.

2) write down any questions, comments, or focus points prior to your lesson and bring them with you.

3) have a short-term goal. If you are working toward a competition, performance, or wedding dance, it's always easier to keep that short term goal in mind as you learn and practice, rather than a nebulous "I want to be a good dancer."

4) practice what you worked on. Practice will open up new questions for your next session and it will also allow you to move on in your training rather than rehashing all the same information from the last private session.

5) dress for the occasion- wear athletic or dance attire to allow for the greatest  mobility during your lesson

5b) for wedding dances and closer to performance time- wear what you will actually wear or similar. If you will be performing in 4 inch stilettos, don't practice in flip flops. Get comfortable in the way your costume and shoes feel, how they affect movement, and if necessary, adjust your outfit or routine to suit.

Friday, March 25, 2016

Now let's add frame!

Frame- everybody has an idea of what a dance frame is supposed to be. Good, bad, and ugly, dancing saturates our media.

Different dances need different frames, with slight variations, and different dancers have their own preferences.
So let's talk through a good social dance frame- it's a generic frame, covering all the important points of contact, while still staying platonic.

Gentleman offers his left hand to the lady in the classic style, bringing it to the left, and equidistant between the partners with a comfortable bend in the elbow and hand about lady's eye level. The lady comes in to a distance that's comfortable for her. Socially the lady decides how close she wants to be- guy's, you can adjust her away for comfort, but not closer. As the lady comes into her position, she has her left arm stretched to the side, keeping her shoulder blade available via her underarm. The gentleman cups the lady's left shoulder blade with his right hand, lifting his wrist until it is connected to her armpit: tricep. Then AND ONLY THEN does the lady bend her left elbow to place her hand on the gentleman's shoulder, where his shoulder meets the bicep and tricep.

Things to avoid: 

Guys- avoid placing your hand on her waist. You lose your most useful point of contact (your wrist) and sacrifice a solid connection point, her shoulder blade, for her softer, less solid waist.

Ladies- keep those fingers closed and off his shoulder. 

Intro to connection

Dance is all about communication. Of course we create a visual expression of what we hear; but there is an element that transcends the way we relate to the music and hits home with how we relate to each other.

Partner dancing mirrors real life relationships in this way: communication must be clear to stay on the same page and create something beautiful. 

Regardless of the dance style, foxtrot, rumba, tango, or prom sway, communication is key.

As an introduction to communication, stand in front of your partner and hold hands at waist level, elbows bent about 90 degrees. The guy's hands are palms up or palms in and the lady's hands rest on top of the guy's hands, with slight weight in the wrists. (No T-Rex or begging puppy dog arms)

Lock your arms in place, so they only move when your bodies move. Don't squeeze your partners hands in the process. 

Since guys always start with the left foot and ladies always start with the right foot (after all, ladies are always....) get that foot free and give a quick tap on the ground to make sure it's free. The other foot does not move from its current position.

In this lead and follow exercise, the guy's in charge (which is something I like about dancing, though my wife always rolls her eyes as she says it's only for three minutes at a times). 

We are only stepping one of three directions and always returning to center/ neutral between each movement: forward, side, or back.

As the guy steps forward, the lady steps back. As the guy steps back, the lady steps forward. These are natural opposites. As the guy steps to the side, the lady steps in the same direction, mirroring his movement. 

The goal is for the guy to step in a direction Arand have the lady match the movement by feeling. 

After a few moments, we up the ante by having the lady close her eyes and repeating the exercise. After the exercise is finished, I always ask whether it was more difficult to lead and follow with the lady's eyes closed. 

It's interesting to hear the guesses, and it always boils down to this:

It's easier to lead and follow with the eyes closed. Although it's uncomfortable to remove your favorite sense (sight), it forces the lady to become hyper vigilant and to the touch, giving her a more responsive follow. 

At this point the couple is already moving as one!

Let's add frame!

Thursday, March 24, 2016

Dancing: A life long journey, part 2

Frankie Manning, an early pioneer of Swing, created many of the acrobatic Swing moves that people still use to this day. When well-advanced in years (he danced up until his passing, a month shy of his 95th birthday), he was asked how to do a perfect basic, to which he replied, "I don't know; but I'll tell you when I get there."

For a man who spent years creating and perfecting a dance style, he probably had every right to suggest that he had achieved perfection. He understood, rather, that there would always be room for improvement, there would always be room for innovation, there would always be room for expansion.

The better a person gets and the more he learns about a particular subject, the more he realizes that there's even more to learn. Learning never stops.

Everyone who aspires to be a black belt (in martial arts), sees the rank as a final destination, a goal to achieve. Everyone who has achieved a black belt, understands that this rank is just the beginning of his martial arts education.

Dancing: A lifelong journey- part 1

When people begin dance classes, they invariably picture themselves as Fred Astaire or Ginger Rogers. They loved the grace and poise the couple possessed on the big screen; and they envision themselves with such elegance and style. But, as all people are inclined, we overlook the years of hard work and dedication, expecting to attain for ourselves this level of proficiency in a class or 6 easy lessons.

The truth is, as with anything worth doing, dancing takes time, practice, and dedication. That's how greatness (or even comfort) is achieved.

Besides having started his dance career at a young age, Fred Astaire was infamous for requiring perfection in his routines before anyone could see them.

They would spend weeks creating all the dance sequences in a secluded rehearsal space...

His perfectionism was legendary...
~Wikipedia~

A few practice tips:

A little practice goes a long way.

Don't think that you have to spend hours per day, practicing, to improve. (Just if you want to improve substantially.)

Practice your own steps alone before trying to dance with your partner. Once, a great dancer said: "What right do we have to ask someone else to dance when we cannot first dance ourselves."

Always focus on elements in your practices. don't simply run through patterns, but focus on one single aspect of each pattern that you would like to improve. This may seem tedious, but it's the best way to master technique.

Always practice your basics. Even re-taking a basic beginner's class can be a great way to improve or refresh- and certainly reinforce- good technique. Many great dance habits are developed through the basic patterns and actions in the dance. Many great dance habits are also forgotten once we begin working on more advanced steps. So always refresh your basics.

Overcoming fear

Peering from the dark corner of the dance club, as far from the dance floor as one could be, I watched all the fabulous dancers enjoying song after song.

Performance anxiety: I was far too new to dance to make it through a foxtrot or waltz without boring one of these ladies! How frustrating it was to watch and compare my own inadequacy to the style and grace of those who were smiling on the floor.

Then I caught out of the corner of my eye someone heading toward my dark corner. Oh no! She's going to ask me to dance with her! The first person to get a taste of my lacking dance skills.

I quickly apologized, including the disclaimer that I was just a beginner (a mantra that persisted for at least 2 years)

She replied with the standard response: everyone starts somewhere.

I won't lie- it's scary starting any new endeavor; especially one that carries the potential to put your mistakes and shortcomings in display- to have others reject you! But once you step past your thoughts and fears, you find that your fears are not largely realized.

The Perfect Circle

Many people who are interested in learning to dance have ideas of how they want to learn. Whether they want the economy and socialization of group classes or the discretion and personal attention in private lessons, set their sights on the goal and call a local studio.

Each avenue of dancing has its benefits, its shortcomings, and its place in the perfect circle.
~Group lessons are great for meeting new friends and learning to lead and follow while gaining a basic understanding of a dance or pattern. Because of the nature of group lessons, they cannot be individually tailored.
~While private lessons offer much flexibility in pace and material (that's being taught), it cannot offer access to a variety of partners. So private lessons cannot instill the practical practice of leading and following in a class atmosphere.
~Dance parties are great for practice and socialization. Dance parties, however, are no place to learn patterns. There's just not enough time!!



Private Lessons- Accommodates your schedule, allows to speed through patterns faster than group classes or slow down to dwell on important issues, can cover more in-depth material than groups, discrete and private

Group Lessons- Lots of fun learning with others who are in the same boat (same level and experience), run through patterns in a particular dance style, least expensive option, great for hands-on lead/follow learning and practice

Dance Parties
- Practice! Practice! Practice!, variety of great music, free snacks (usually), less expensive than a movie, fun with other dance enthusiasts, the best way to validate your time and money spent on lessons

There is no "one best way" to learn to dance. The only best way is to take all three and combine them into a synergistic program that works like this: Attend a group class to learn a pattern. Take a private lesson to learn the best way to enhance or embellish your new pattern. Go to a dance party and practice (show off) your newly-polished pattern.

These are not the only considerations- just a few things to think about when deciding how best to hop into dancing on the right foot (excuse the pun).
Happy dancing!

The "Bees' Knees!"

Bees are fascinating creatures, that are so small, so aggravating (when they sting you), and yet so vital to the plants of the world. Why? To continue growing and creating new plants- baby plants- flowers need to be pollinated. Bees do this by spreading the love from flower to flower, helping to keep our plants coming back year after year, as vibrant as ever.

Dancing is much the same way. The best dancers realize that dances become stale without new ideas and innovations from other dance communities. In my humble opinion, the Lindy Hop world has the right idea. They host "exchanges" where dancers from around the country and world come to one city, where the local dancers open their houses and organize special dance events for the dance guests. They are week-long parties.

The dancers who travel into town, bring with them their own unique views, stylization, and quirks; and take with them some of the flavor of the host city. These exchanges enrich the dance styles and personalities of everyone involved, from the host community, who gets fresh ideas and styles delivered right to their front door, to the traveling guests, who are permeated with the culture of the host town (taking some new ideas to their own homes). It's a relatively inexpensive way to promote fresh dancing- to enrich dance communities everywhere.

Thought for the day: Go out dancing somewhere new. It may be in another country or the next city over. When you experience something new, it could have profound impact on your dance ability

Saturday, March 12, 2016

Dancetime Deluxe- iPhone app for dancers


When I first began dancing, my dance music library was lacking, as were my skills for finding the beat within a dance-able song. Also, I found that during my practice, the songs would end (as they all do) and I'd have to restart my dance.

During a search to find a beat generator, an app that plays the appropriate beat for a dance style, I came across DanceTime Deluxe, an iPhone app that has exactly what I was looking for, and more. It has 26 different dance rhythms to suit as many styles. It allows you to vary the speed of the rhythm, which can be a very helpful practice assist. Also, it has an optional "instructor" that counts for you. 

I use it quite often and recommend it to all my students and dance friends who have iPhones.